The Grant Naylor era comes to an end and the Dwarfers discover that they have a dark future even though they don't know about Series VII yet. An episode that famously was written in such difficult circumstances that they had to build teleprompters into the set and the show was literally being written as the actors performed it, this episode concludes the series' messy composition. It starts largely as an episode about "unreality pockets", but turns into a story about the Dwarfers acquiring a time machine and being attacked by their future selves. The highlight of the whole episode probably comes with the morale meeting at the beginning, followed by the sequence in which Lister appears to be an android.
The idea of the time drive itself, which allows movement in time but not space, is an interesting and clever one, and effectively sets up Rimmer's entertaining line about the "heady medieval atmosphere of pre-Renaissance deep space", but I'm not sure how effective the idea of "evil future selves" is necessarily. It's just not quite a clear progression from anything else in the episode, I think, which makes the story feel a little unstructured, given that most of the episode is about the Dwarfers' despair at their predicament and how that's reflected by the unreality bubbles affecting their perception of reality.
The "droid Lister" concept gets some worthy jokes, including "Made in Taiwan" and Kryten asking Lister whether the box he was found on said "kit" or "paint before assembly" on the side. The "Kryten's head" joke in this one isn't terrible, largely due to Robert Llewellyn's delivery of the line "freak formation of mashed potato". This delivery similarly pays off for "And I want to see creases!" I also like Lister's confession about the tattoo: "I don't really love Petersen; he just got me so drunk that I didn't know what I was doing." The unreality pockets form a bit of a bizarre defence system though, disorienting potential discoverers rather than simply attacking them.
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